How does March whizz by like this? Seems that the lengthy months of Jan and Feb accelerate into March and suddenly it's nearly over! Then again, having looked over the month I have been busy and around and about to the point of not really looking at dates (only those ahead) What I have I been up to? Travel (yay!) I went to visit friends in Frome and Bath over a long w/end and just prior to that I was in London at the AAF and then yesterday the afternoon and eve in Tunbridge Wells. I feel as if I need to touch base a little bit.
I have a work commitments tomorrow (delivery of work) and I am taking Sunday off! Just bought more pigment in five colours and the trip away was a valuable one in many ways. I have come back to work that looks differently with time away and new ideas about how to resolve them. This month is mainly about delivering work locally and getting work ready for more deliveries next month for two shows coming up.
Pressing things. Dentist, renewing daughter's quarterly bus pass and taking work to the framers seemed to consume most of the day. I seemed to be the only pedestrian in Brighton who was moving at a speed faster than snails pace. It was 16 degrees and heaving with visitors (overseas, mainly) Visitors are never in a hurry and seem to meander with their heads up and eyes focussed on something that is usually way above eye level. They are the most likely demographic of pedestrian who will walk into you, unless you see them coming first.
I would have liked to have been going at a slower pace, but with so much time on the car ticket, and other places to be (it also being a week day) I made the most of a very fleeting walk through Pavilion gardens. Buskers out, cafe terrace busy and the twenty-something hippy-clones were sitting in cross-legged, long-haired groups looking stoned (or just completely un-harassed to the point of vacantness)
Fortunately the framers keep notes of previous jobs carried out and we had to dig them up to discover what was made last time. These paintings are on standard canvases (not panel) so they will not require a double tray frame. I will collect next week. I always look forward to collection. Framing can be (and should be when it's well done) really transformative, like having a decent haircut.
Spring window sill With all the best intentions in the world I attempted studio time....... but after making a gallery submission and then a trip to the farm shop for fresh spring ingredients and a few window sill/still life plants, I noticed how dirty the kitchen looked. Now, don't get me wrong I completely believe in the adage "A Clean House is a Sign of a Wasted Life", but there are certain standards of hygiene that even the least house-proud of us must have. Why I, personally, do the minimum amount of housework has a lot to do with the fact that there are more pressing things to get on with. Also I have noticed how, when you start one particular chore, you then notice something else and before you know it you are engrossed in a world of domino-effect housework and then the day has evaporated.
Cleaning window sill, finding appropriately aesthetic vessels for new potted plants led to plant watering (in general) re-potting the Aloe Vera (which had reproduced rapidly over winter) cleaning grease off the window panes, tidying up the front flower bed, pruning the apple tree and ceanothus and .... I can hardly bear to say out loud, cleaning the oven! Oven cleaning is a disgusting job, the grease was putrid. Given the choice of cleaning ovens or collecting dog poo, I would say I prefer the latter.
Having done a lot of Spring cleaning, with soda and no harsh chemicals, I can feel the benefits and the stagnant energy has been banished. And work, of the painting variety? I managed a couple of hours tweaking work in progress and lots of edge painting. I feel very on target with my work and i may have another gig lined up for May. Depletion of available surfaces means that I will have to take the jigsaw to a large piece of panel and cut out more surfaces. W/end ahoy. Time out.
Spring is on it's way. i made a trip to Green tree Gallery to collect unsold work and discuss delivery of new work. We had some lunch in the cafe and took Jess on a walk around the grounds. Lots of blossom, daffodils and Camelias and Magnolias blooming and we sat in full sunshine. It was warm. Driving through East and West Sussex was a great diversion to the week ( I feel as if I have barely seen much outside of the studio for weeks now) The leafy roads with deep ridges of trees are traditional commonplace B roads around the countryside, they were once pig droves which is why they have such steep banks. Sussex is associated with pig farming and the Sussex expression "We will not be drove" is indicative of the pig farming and droving.
Next stop, Mayfield. A small village where I went to school for four years. It hasn't changed much. I was disappointed to see that 'Fenners' (the old tobacconist and sweet shop) had closed and was now converted back into a house. The hippy shop was still there, unchanged, and I saw groups of school girls queuing at the chippy van in uniforms that are completely different to the one I used to wear. The new gallery there was interested in the fact that I went to the school and have a potter who used to teach ceramics at the school. They were interested in my work and I will have to speak to the boss in order to make a formal admission or visit with a selection.
I saw posters advertising Twelfth Night (Shakespeare) which my dad is performing in next weekend in the village. I thought how ironic that almost thirty years since leaving school and I'm back there. I often have dreams about the school, which usually involve a scenario where I am taking exams and re-sitting them at the age I am now, and also dreams about getting school stage fright (I trod the boards once at school but was so petrified with stage fright that I didn't attempt it again) Apparently these dreams signify lack of confidence and a fear of not making the grade!!! No surprises there, then. Aptly, it was International Women's day, and I reflected on how a girls school (possibly) encourages independent thinking and self-sufficiency.
Mayfield High Street | Through the Old Palace (school) |
........ I thought the muse had deserted me today, it hadn't. (I was feeling tired) I would have liked the day off, but that'll be the gallery trip day this week, and I was compelled to finish at least four paintings off so that I can concentrate on the larger ones. I seem to have finished one large one today and several small ones. I really wish there was another word for 'finished', because nothing is ever finished (in terms of painting) it is merely abandoned! Another word is 'resolved', paintings can reach a resolution when they come together and this should be the point of completion (in theory).
I must make a visit to the framer next week so that I will have work to collect after my trip to Frome. Some of the smaller paintings really need them in order to be suitably presented in a gallery.
These two larger paintings I seem to have resolved today (there is bound to be some later tweaking) Introducing more citrus colour, zingy green and yellow, makes them very Spring-like. New green shoots look almost florescent in the light.
I have a theory that grown women who have a close affinity with the colour pink are not properly evolved. In other words, they got stuck in their pre-teenage years and didn't emotionally mature. This theory doesn't include using pink in paintings. It applies to women who drive pink cars, have pink bedrooms and wear pink clothes (that ucky bubblegum pink)
Today I was using a lot of pink, and it's a colour that I have never used - mainly because of it's association. Some of the most beautiful flowers are pink, so maybe, this is where the inspiration for pink has come from.
So I got a lot done, mainly tweaking and finishing a couple of pink-based works. I have also had an obliterating moment in updating a couple of larger canvases. I was getting iiiiinnnnny-miiiiiiinnnnny tight with the small scale panel and canvas paintings, and then things can become fiddly and ridiculous. Moving onto larger surfaces allows for loosening up with more gestural brush strokes. Gallery Road Trip is on the agenda........ and framer will need a visit very soon.
Pinks in progress, today
|
New one in progress
|
Jugs Conversing, in progress
|
Best use for ready-meals/takeaway boxes
|
I will say it again: All things admin take the joy out of life. Writ large. This should become a national slogan. I would like to see it on billboards and posted in all places.
Today started with admin-type jobs and then evolved into a series of other necessary but menial jobs. All in all I have had a depressingly dissipated day made up of menial and mind-numbing tasks. I attempted to get into my studio, which lasted less than an hour. My frame of mind was not in the right place. I have written today off (creatively) and now that the admin and menial jobs of the week are out of the way I should be able to get back into the zone. I can't have another day like today. I would not be worth living.
Think positively: I don't have to sit in in office or shuffle paper from nine to five for five days of the week. This would definitely kill me (as, nearly, did the bureaucracy of teacher-training)
As Alison knows, there is only one thing to do on a day like this; Bake a cake. Dutch Apple Cake! I was able to use up all my autumn apples for this, by now all wrinkly and but still edible. | | first slice |
Garden Breakfast, oil and pigment on canvas, 18x23cm Started the day with edge painting. It's actually very therapeutic to paint the edges of paintings. I am using a mid grey because I have gone of the white edge look and I think it makes paintings look either too clinical or just unfinished. I got the idea to use grey when looking at the left edge of one of my paintings (where I often hold them while working on them) and noticed all the colours I had used had blended into a dirty greyish colour. I happened to have some grey primer and found that it works well. Since I will be framing most of the small paintings it doesn't matter too much, although, even in tray frames, you are able to see some of the edge of the painting and finger prints and smudges don't tend to do the painting much justice - (although I personally like to see other people's mucky edges as it give you an idea of how they work, and how messy they are!!) I am very messy, so really it is necessary to paint over the very smudged edges.
After edge painting, which always takes more time than you think, I made some final tweaks to some paintings from last week, and worked on some still life that I began yesterday and on Wednesday. I spent a good deal of the afternoon reassembling the work drying indoors, so that I could see them properly as a body in progress. I can see where they are going and a natural tendency to want to abstract subject matter (but not so much that you cannot identify them as objects)
Finishing the week on a good note seeing it all coming together and drying sufficiently fast. Breakfast Andaluz, oil and pigment on box canvas, 20x20cm | Lemon Tea, unfinished | Blue Day, unfinished | Black Tulips, unfinished |
Since the light has changed and things look different, I had a need to brighten up the January-made 'dog series' (for Corte Real, Portugal). They were wintry. Now they have some spring glow about them and I am really pleased to have done this, even though they were sitting in a box waiting to be packaged. The results are now on the 'Figurative' page. It was an afternoon's work worth doing. Finished three small oil on panel still life (page Still Life 3) for the Green Tree (who have requested new work for April) and I have more to get on with tomorrow and next week.
I got into the zone this afternoon and forgot the time and everything else. Many works in progress at once, which is how I like to work. I counted 28 surfaces in progress today. I worked on eight of them today.
|